I earn my living working as an image researcher at a business magazine, so I’m just an amateur photographer – now and then I make some money from photography, but it’s not something steady. A typical brazilian delight of street photography with magnanimous play of light and shadows inscribed with sceptical colors all over the frame. I like to take advantage of every element that the streets offers me. I was never good at marketing strategies. Pedro Antonio Heinrich is a Brazilian street photograph who has an eye for catching human emotion. The street is my laboratory, office, my home and will be a part of my life forever! I often shoot with a 18mm lens.I try to show the real beauty of the streets of my city without interfering with people's actions. He uses a Canon T3i and a Canon XT and, in rare situations, his phone too.My name is Pedro Antonio Heinrich. Also, I’m member of two collectives, Street-Photographers.com and SelvaSP (www.selvasp.com), and I’m honored to learn from so many great photographers.I had a point-and-shoot camera as a teenager, I took a lot of photos at barbecues, of my first girlfriend, etc. I’m one of those guys who play a lot with light and colors in everyday life, you know the kind.Yes, though it doesn’t happen very consciously. Check out these street photography products:I'm the designer, editor and co-founder of Inspired Eye :)Welcome to Inspired Eye's Street Photography blog, where you will find articles, tips, tricks and more.
But to produce a good photo on the streets it’s fundamental being prepared and open-minded at the same time – anticipation is a key element.Life on the streets, light in São Paulo, Carlos Moreira, Harry Gruyaert, my will to explore new places… many things.Now I’m using a Nikon D600, mostly with 35mm and 40mm lenses.
i don’t kid myself about it.Also I got some recognition after winning second prize at International Street Photography Awards 2013. Lindo trabalho!Want more? Actually I rarely feel like going out to photograph when it’s cloudy. After a long time, once I understood which would express the scene better, I added color to the photos.I love the integration of the human-being with the environment, geometric shapes, shadows … everything that may involve human elements and the streets.It is the most important thing I have in life after my family, everything I do in relation to photography is done with love, intensity and passion. My first inspiration came with the photos of Henri Cartier-Bresson and I start to shoot only in black and white. I’m aware it’s a limitation, I should do it more often.Good photos, some originality (if it exists), but I don’t think I really stand out. A typical brazilian delight of street photography with magnanimous play of light and shadows inscribed with sceptical colors all over the frame. But generally no one ever sees me photographing.I use a Canon T3i and a Canon XT and on some rare occasions I use the phone. #upsp #streetphotography #streetphoto #streetphotographer. When I started as a dog walker, in Porto Alegre / Brazil streets, I realized that being there watching gave me an immense pleasure and somehow I wanted to keep a record of what I saw. I take a lot of pleasure from having an excuse to wander the streets of the city and seeing a lot of things I wouldn’t see if I weren’t there to photograph.I think I photograph just to make my salaryman life a bit less boring. A mix of form and content, but not only this.
Please tell us a little about yourself? So I started shooting with a mobile phone (a Motorola EX 115).I was enjoying the momentum that the streets offer and I can say that my photography was born on the streets. I love street photography.Great to see a brazilian street photographer here. Then I studied photojournalism as part of my journalism degree, but photography entered my life in 2008, when I bought my first DSLR. It's like documenting life in that period and putting my emotions into each shot.To shoot the street you need to be fully integrated with your equipment, you need to have a high level of complicity and be swift. brazilian by Adrian Capusan. Explaining much about his love for photography, Gustavo states that he loves to play with light, shadows and incredible light all around.Observing his wonderful portfolio, what I started to observe was Street Photography never gets boring when you start preparing the right amount of vital ingredients such as color, subject, action and above all lights and shadows. Image Pool. Visualising compositions will become easier as you spend more time on the streets. My name is Pedro Antonio Heinrich. and rain! ALL RIGHT RESERVED But after all popularity on the internet doesn’t make one’s life any better or easier, unless you decide to write a blog and teach workshops, selling yourself as an expert. I was photographing all day under the sun (lots of sun!) Inspired Eye is the premier resource for all things street photography. I have a lot of followers on Flickr and some add me on Facebook as well, but this is because I’ve been on this social media for a long time now, uploading photos everyday, etc. Brazilian street photography collective Flanares knows this. He had a huge influence on my “photographic philosophy” as well, teaching me that photography ultimately can be a means of personal expression.I have no idea. This is Gustavo Minas photography for you, a very passionate street photographer who very humbly calls himself an amateur but his photographs state him otherwise. He uses a Canon T3i and a Canon XT and, in rare situations, his phone too. I'm 29 years old and started shooting in July 2014.I always wanted to learn to shoot, but for various reasons I never could.
But to produce a good photo on the streets it’s fundamental being prepared and open-minded at the same time – anticipation is a key element.Life on the streets, light in São Paulo, Carlos Moreira, Harry Gruyaert, my will to explore new places… many things.Now I’m using a Nikon D600, mostly with 35mm and 40mm lenses.
i don’t kid myself about it.Also I got some recognition after winning second prize at International Street Photography Awards 2013. Lindo trabalho!Want more? Actually I rarely feel like going out to photograph when it’s cloudy. After a long time, once I understood which would express the scene better, I added color to the photos.I love the integration of the human-being with the environment, geometric shapes, shadows … everything that may involve human elements and the streets.It is the most important thing I have in life after my family, everything I do in relation to photography is done with love, intensity and passion. My first inspiration came with the photos of Henri Cartier-Bresson and I start to shoot only in black and white. I’m aware it’s a limitation, I should do it more often.Good photos, some originality (if it exists), but I don’t think I really stand out. A typical brazilian delight of street photography with magnanimous play of light and shadows inscribed with sceptical colors all over the frame. But generally no one ever sees me photographing.I use a Canon T3i and a Canon XT and on some rare occasions I use the phone. #upsp #streetphotography #streetphoto #streetphotographer. When I started as a dog walker, in Porto Alegre / Brazil streets, I realized that being there watching gave me an immense pleasure and somehow I wanted to keep a record of what I saw. I take a lot of pleasure from having an excuse to wander the streets of the city and seeing a lot of things I wouldn’t see if I weren’t there to photograph.I think I photograph just to make my salaryman life a bit less boring. A mix of form and content, but not only this.
Please tell us a little about yourself? So I started shooting with a mobile phone (a Motorola EX 115).I was enjoying the momentum that the streets offer and I can say that my photography was born on the streets. I love street photography.Great to see a brazilian street photographer here. Then I studied photojournalism as part of my journalism degree, but photography entered my life in 2008, when I bought my first DSLR. It's like documenting life in that period and putting my emotions into each shot.To shoot the street you need to be fully integrated with your equipment, you need to have a high level of complicity and be swift. brazilian by Adrian Capusan. Explaining much about his love for photography, Gustavo states that he loves to play with light, shadows and incredible light all around.Observing his wonderful portfolio, what I started to observe was Street Photography never gets boring when you start preparing the right amount of vital ingredients such as color, subject, action and above all lights and shadows. Image Pool. Visualising compositions will become easier as you spend more time on the streets. My name is Pedro Antonio Heinrich. and rain! ALL RIGHT RESERVED But after all popularity on the internet doesn’t make one’s life any better or easier, unless you decide to write a blog and teach workshops, selling yourself as an expert. I was photographing all day under the sun (lots of sun!) Inspired Eye is the premier resource for all things street photography. I have a lot of followers on Flickr and some add me on Facebook as well, but this is because I’ve been on this social media for a long time now, uploading photos everyday, etc. Brazilian street photography collective Flanares knows this. He had a huge influence on my “photographic philosophy” as well, teaching me that photography ultimately can be a means of personal expression.I have no idea. This is Gustavo Minas photography for you, a very passionate street photographer who very humbly calls himself an amateur but his photographs state him otherwise. He uses a Canon T3i and a Canon XT and, in rare situations, his phone too. I'm 29 years old and started shooting in July 2014.I always wanted to learn to shoot, but for various reasons I never could.