Long a mainstay of the downtown fringe turned Tony-nominated Broadway playwright and film goddess, Busch has made a name for himself over the past several years as an accomplished storyteller and chanteuse in the world of cabaret. Actor/playwright/cabaret entertainer, Tony Award nominee, and two-time MAC Award winner
Charles Busch Photo: James Gavin .
Jan 08, 2019 .
Milford Arts Council, in association with Pantochino Productions Inc. presents CHARLES BUSCH in Native New Yorker on January 25th at 8pm at the … Busch has also seen his impact on younger boundary-pushing artists, such as “I guess I’ve given a boost to people, like Charles Ludlam did for me,” Busch said, noting that he was greatly moved when Jim Parsons cited Busch as a key influence And Busch has no plans to abandon drag in his primary vehicle for it, theater.
“I’ve had to learn that the composer also has something to offer, that the melody is also useful as a form of emotional expression.”In his last cabaret show, “My Kinda ’60s,” Busch looked back on his childhood and adolescence, paying homage to the aunt who raised him after his mother died. Cabaret & Concert News Charles Busch Will Bring Native New Yorker: Songs and Tales of the Seventies to Feinstein’s/54 Below. Music, Cabaret and standards.
Later, “I took the radical move of actually taking some singing lessons. Charles Busch: NATIVE NEW YORKER. Everyone knows he can be funny; that’s his stock in trade. Native New Yorker. And you know, they work. But in cabaret, a form Busch has dipped into at various points with his musical director Tom Judson, he began to question his approach.“I started doing it in drag because that’s how people know me,” said Busch, also known by Broadway audiences for writing the Tony-nominated hit The progression was part of a process that started six or seven years back, and coincided with “this terrible period of dissatisfaction and brutal self-assessment,” Busch said. I love this show. “I just wore a black shirt and black pants, and it felt great.
There’s a place, you know?”Busch credits his longtime friend Julie Halston, a collaborator and muse in his earlier work, with helping him enter this next phase.
Charles Busch - Native New Yorker - Duration: 40 seconds. There’s a place, you know?”Busch credits his longtime friend Julie Halston, a collaborator and muse in his earlier work, with helping him enter this next phase. The songs are culled from pop, film and Broadway, veering from Stephen Sondheim (“Pretty Woman,” “In Buddy’s Eyes”) to Henry Mancini (“Whistling Away the Dark”) to Rupert Holmes (“Widescreen”) and Jim Croce (“I Got a Name”).To develop his non-drag sartorial style, Busch, who describes himself as a “pretty conservative” dresser offstage, went back to his East Village roots and booked a show at the club Pangea in 2017.
Actor/playwright/cabaret entertainer, Tony nominee and two-time MAC Award winner Charles Busch appears in a musical entertainment that gets to the essence of this legendary theatrical figure.
Native New Yorker, at Feinstein's 54 Below Tues and Wed, July 23, 24 at 7pm. "
It’s the rare actor who can take an audience from the heights of hilarity to the depths of despair in the blink of an eye, but Charles Busch is such a performer. And we really did it.”In “Native New Yorker,” Busch will again nod to the real “embattled woman” who stuck with him through the decade of struggle and adventure traced in the show, which ends with the 1985 Off Broadway opening of “Vampire Lesbians.” For “I Got a Name,” he took the unusual step of revising a lyric: “I sing, ‘And I carry it with me for my aunt to see,’” Busch said, then paused because he was getting choked up.
Tickets & Info: So I had this young costume designer, Jimmy Johansmeyer, make me this man’s suit, a green paisley thing with rhinestone buttons. “I’ve been fortunate in every way.”Charles Busch’s New Phase Isn’t Drag. Next January, Primary Stages will present his latest play, “The Confession of Lily Dare,” in which he’ll portray — as he did last year, in a staging at Theater for the New City — the titular heroine as she evolves, over decades, from a convent girl to a cabaret chanteuse to the madam of a string of brothels.
“I’ve been fortunate in every way.”Charles Busch’s New Phase Isn’t Drag.