Experimental Painting in the 1970s and now, Lisson Gallery, New York Living in a Lightbulb, curated by Jenny Jaskey and Mia Locks, Tanya Bonakdar Gallery, Los Angeles, CA 2018 Mary Corse: A Survey in Light, Whitney Museum of American Art, New York, NY (cat.)
From lightboxes to painting embedded with materials that refract light, Corse combines a philosophical quest for the portrayal of the infinite with a highly skilled methodical and scientific rigour. While we make every effort to ensure that the information on the site is accurate complete and up-to-date we can make no guarantees and so will not be liable for any inconvenience loss or distress which may arise from using the information provided. Simply click the link and enter your new password to complete this process.Scan the QR Code via WeChat to follow Ocula's official account.
To make artwork enquiries, follow artists and galleries, save and share artworks and receive our newsletter. Mary Corse follow Installation view, Lisson Gallery London © Mary Corse - Photo: all rights reserved Courtesy Lisson Gallery & Kayne Griffin Corcoran However if for some reason you have not received an email , Please check your SPAM/JUNK folder. The exhibition at Lisson Gallery London coincides with two major presentations of the artist’s work in the United States: Corse’s first solo museum survey this June at the Whitney Museum of American Art, and a long-term installation at Dia:Beacon with recently acquired works, opening in May.Lisson Gallery’s exhibition features ten works, including seven new works created specifically for the show. Realising that the inner band epitomised her career-long aim to demonstrate how dramatically perception affects our experience, she began a series of
Obsessively engaging with light and perception, Corse’s paintings embody rather than merely represent light, experimenting with the concept of subjective experience in new and innovative ways. In 1968, she developed her ‘Electric Light’ series, for which she enrolled in a quantum physics course to allow her to secure the parts, engineer her own work, and experiment with wireless cording in order to “free the light painting from the wall”. Corse’s evolution as an artist has seen her refine and expand her practice, including the innovation of the ‘inner band’: a vertical stripe full of luminous, active brushstrokes that disappear into the surrounding field of the canvas from certain viewing angles. Based in Los Angeles, Corse has built a practice that occupies an independent space at the intersection of minimalist painting, Abstract Expressionism and scientific inquiry. For any transaction, whether acquisition or sale; discretion, transparency and professionalism are paramount. The attention is well-deserved and overdue. The exhibition at Lisson Gallery London coincides with two major presentations of the artist's work in the United States: Corse's first solo museum survey this June at the Whitney Museum of American Art, and a long-term installation at Dia:Beacon with recently acquired works, opening in May. © Mary Corse; Courtesy Lisson Gallery & Kayne Griffin Corcoran © 2013-20 GalleriesNow.net. In 1968, she developed her Corse's evolution as an artist has seen her refine and expand her practice, including the innovation of the 'inner band': a vertical stripe full of luminous, active brushstrokes that disappear into the surrounding field of the canvas from certain viewing angles. Based in Los Angeles, Corse has built a practice that occupies an independent space at the intersection of minimalist painting, Abstract Expressionism and scientific inquiry. Mary Corse at Lisson Gallery London (12 May – 23 June 2018) Lisson Gallery. All rights reserved.